
Fathersisterself, Projection on plaster casts
Projection on plaster casts
Yellow Chair, Pinhole Photograph
Breaking the Ray, Projection on plaster castsEmily Smith is an award winning artist who creates sculpture and installation pieces. Influenced by childhood memories, nostalgic spaces are suggested through symbolic objects which represent a particularly subjective interaction with the memory of a significant person or place. Subtle overlaying of projections onto sculpture builds up a visual palimpsest and restructures the narrative of each object.
The artist's work is concerned with loss, memory and trace of an absence.Her current body of work stands as an investigation into Derrida's theory of trace, erasure and the instability of visual signifiers as symbols of memory.
-keo
http://www.puuranders.nl/album/album-12 


'Asparas- White' (2009






"When I'm in periods like this, a lot of times I'll respond directly to what I just made," she said. "I wanted to stay away from figures and really saturated colors. So I started making abstract paintings, mostly because I have no idea how to make an abstract painting, and I was interested in that."
"I think that's just part of how it is with making art," she said. "Sometimes you're just flooded with ideas, and then other times you're questioning all the ideas you ever had before and everything is just ... lame."
Her work is interesting and she's also a very prolific artist. There are 43 images in the catalog and these are only the very best work - there are a lot more we could have included. Ideas sort of ooze out of her.
Schutz uses painting as a means to invent things which just can't exist in any other genre. In Chris's Rubber Soul, she uses two-dimensional medium to create a sculpture: half archaic technology, half totemic fetish. Bound by no other logic than its own representation, Schutz offers a form for no other reason that its own contemplation, of beauty, humour, plausibility and possible function.
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