Monday, May 30, 2011
Thursday, May 19, 2011
Tuesday, May 3, 2011
Gees Bend Quilts
Emily Smith
Fathersisterself, Projection on plaster casts
Projection on plaster casts
Yellow Chair, Pinhole Photograph
Breaking the Ray, Projection on plaster castsEmily Smith is an award winning artist who creates sculpture and installation pieces. Influenced by childhood memories, nostalgic spaces are suggested through symbolic objects which represent a particularly subjective interaction with the memory of a significant person or place. Subtle overlaying of projections onto sculpture builds up a visual palimpsest and restructures the narrative of each object.
The artist's work is concerned with loss, memory and trace of an absence.Her current body of work stands as an investigation into Derrida's theory of trace, erasure and the instability of visual signifiers as symbols of memory.
-keo
Thursday, April 14, 2011
In Memory of Michele
Tuesday, April 12, 2011
Tuesday, April 5, 2011
Katharine Harmon, You are here: Personal Geographies
Thursday, March 31, 2011
Saturday, March 26, 2011
Thursday, March 17, 2011
Miranda Van Dijk
http://www.puuranders.nl/album/album-12 Sunday, March 6, 2011
Thursday, March 3, 2011
Drawing in Thread


http://www.mountida.edu/sp.cfm?pageid=3201
Friday, February 25, 2011
I saw this artist's work in person at the Art Basel art show in Miami
is called "Richter scale" and its INCREDIBLE. Some of the MFA and BFA students went to Art Basel Art Show in Miami December 4-7 2010. We got to meet Bernice Steinbaum herself. She's an older woman dedicated to the art collecting business for many many years. Shes a Jewish woman from New York and greeted us with mallard duck slippers on her feet. She's passionate and so in tune with the Fine Art world and showed us around the gallery with such love for all the pieces she's collected. Hung Lui is the showcasing artist in the downstairs of the gallery and WOW they are so moving. They are massive and if I could estimate, I would guess some are triptych or diptychs 20 feet long.

'Asparas- White' (2009Bernice told us that when she's overwhelmed with her life, she looks at this painting of an old woman who has lost everything. Her daughter's been raped, her grandchildren have been killed, her land's been taken. And Bernice knows life isn't all that bad. This piece is moving to say the least. It's probably 7'x7'


But other images suggest the raw wounds of natural disaster, with an elderly woman crying aloud and a toddler pressing a surgical mask to her face: two images with similar titles Asparas (White and Black). Liu effortlessly balances life and death, yin and yang, hope and despair with her works without resorting to melodrama or overindulgence in hysterical gore.
"Richter Scale" succeeds in its storytelling, with a fresh and pertinent narrative, while maintaining a sincere dedication to viewing beautiful objects. Since when did modern art become beautiful to look at again? Many would think that the jarring, aggressive nature of contemporary art (a la Damien Hirst or Anselm Kiefer, for example) would be the "right" way to regard the darkness of the human condition. Liu reminds us that being aware doesn't mean having our minds (or our stomachs) continuously attacked.

I love the use of light in this one and the side painting to the left. The circle is a symbol she uses often
This is an artist I really like right now

Gravity Fanatic



"When I'm in periods like this, a lot of times I'll respond directly to what I just made," she said. "I wanted to stay away from figures and really saturated colors. So I started making abstract paintings, mostly because I have no idea how to make an abstract painting, and I was interested in that."
"I think that's just part of how it is with making art," she said. "Sometimes you're just flooded with ideas, and then other times you're questioning all the ideas you ever had before and everything is just ... lame."
Her work is interesting and she's also a very prolific artist. There are 43 images in the catalog and these are only the very best work - there are a lot more we could have included. Ideas sort of ooze out of her.
Schutz uses painting as a means to invent things which just can't exist in any other genre. In Chris's Rubber Soul, she uses two-dimensional medium to create a sculpture: half archaic technology, half totemic fetish. Bound by no other logic than its own representation, Schutz offers a form for no other reason that its own contemplation, of beauty, humour, plausibility and possible function.
ReformersDana Schutz's work has been described as ‘teetering on the edge of tradition and innovation'. 'My paintings are loosely based on metanarratives. The pictures float in and out of pictorial genres. Still lifes become personified, portraits become events and landscapes become constructions. I embrace the area between which the subject is composed and decomposing, formed and formless, inanimate and alive. Recently I have been making paintings of sculptural goddesses, transitory still lifes, people who make things, people who are made and people who have the ability to eat themselves. Although the paintings themselves are not specifically narrative, I often invent imaginative systems and situations to generate information. These situations usually delineate a site where making is a necessity, audiences potentially don't exist, objects transcend their function and reality is malleable .'






















